Takahiko Iimura Movies

“Double Portrait” and “I Love You” are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In...

A precedent to Iimura's video work where he becomes his own subject, I Saw the Shadow sees Iimura follow his own shadow in and out of vision as he...

Shot on 8mm on the 12-day boat journey between Yokohama and San Francisco, Iimura's The Pacific Ocean consumes the anticipation and uncertainties of...

The films concerns the "duration" (or non-duration) of one frame, as the title indicates, the minimum unit of film in space (dark and light) with...

Short film featuring Takahiko and Akiko Iimura

Cameras once again observing each other.

‘New York Scenes’ (1967) is sketches of certain scenes and portraits in New York including, ‘Linda with a lens’, ‘Fire...

"Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the...

When I came to the USA in the mid 1960s, it was the high point of the Hippie movement and the black riots. I lived in the East village in New York,...

Camera, Monitor, Frame is the first installment of Takahiko Iimura's "Video Semiotics Triptych" (the other two works are Observer/Observed, made in...

Models, Reel 2 (B-1~4) consists of four works and is dealt with, different from Reel 1, symbol/words, and the logic in film. First "Counting 1 to 100...

"Of the new foreign work I saw, (at the Avantgarde Film Festival in London) that of Taka Iimura interested me most – His film + & -, using...

The three faces (two women and one tranvestized man) in the series of close up, which are shot separately in their sexual process of the acting and...

I lived in the East village of New York in the mid sixties, a high time of the hippie movement. I had been involved myself in the environment of the...