Takahiko Iimura Movies
- 1989

New York Day and Night: A Journey through Light and Darkness
New York Day and Night: A Journey through Light and Darkness01989HD
A journey through light and darkness reflected on the city of New York.
![New York Day and Night: A Journey through Light and Darkness]()
- 1964

Inside & Outside
Inside & Outside01964HD
Short film for the "A Commercial for Myself" programme.
![Inside & Outside]()
- 1981

Talking in New York
Talking in New York01981HD
A kind of first person cinema where the filmmaker is the cameraman as well as the actor. Acting like a total stranger in the city who does not speak...
![Talking in New York]()
- 2008

A Rock In The Light
A Rock In The Light02008HD
In “A Rock In The Light”, I requested the music of Haruyuki Suzuki, a contemporary composer. This music is unified with the image, which...
![A Rock In The Light]()
- 2011

Associations of Silverpencils
Associations of Silverpencils02011HD
This is a film about a medium approaching extinction, an 8mm documentary film about a vanishing 8mm cinema. Blending two genres, the science film and...
![Associations of Silverpencils]()
- 1984

New York Hot Springs
New York Hot Springs01984HD
‘New York Hot Springs’ (1984) is scenes of steam coming out of many streets of New York, a typical scene in winter, in repeated cycles of...
![New York Hot Springs]()
- 1985

Air's Rock
Air's Rock01985HD
A portmanteau of two films about Uluru (then known as Ayres Rock). "A huge isolated rock in the midst of desert in Australia: Ayers Rock. I produced...
![Air's Rock]()
- 1995

This Is a Camera Which Shoots This
This Is a Camera Which Shoots This01995HD
"This Is a Camera Which Shoots This" and "As I See You You See Me" are both set up facing two cameras and monitors and the performer walks between...
![This Is a Camera Which Shoots This]()
- 1970

Film Strips I
Film Strips I01970HD
When I came to the USA in the mid 1960s, it was the high point of the Hippie movement and the black riots. I lived in the East village in New York,...
![Film Strips I]()
- 1972

Models: B-4: Seeing, Not Seeing
Models: B-4: Seeing, Not Seeing01972HD
Short work.
![Models: B-4: Seeing, Not Seeing]()
- 1970

Film Strips II
Film Strips II01970HD
When I came to the USA in the mid 1960s, it was the high point of the Hippie movement and the black riots. I lived in the East village in New York,...
![Film Strips II]()
- 1962

6x6 (Oukan Densentsu)
6x6 (Oukan Densentsu)01962HD
A boy and a girl in a small room, having a fight, making love and suddenly . . . a black humor on a young couple.—Takahiko Iimura, Paper Film:...
![6x6 (Oukan Densentsu)]()
- 1966

I Saw the Shadow
I Saw the Shadow01966HD
A precedent to Iimura's video work where he becomes his own subject, I Saw the Shadow sees Iimura follow his own shadow in and out of vision as he...
![I Saw the Shadow]()
- 1989

Monet Garden Synthesized
Monet Garden Synthesized01989HD
Film by Takahiko Iimura
![Monet Garden Synthesized]()
- 2004

Ma: The Stones Haved Moved
Ma: The Stones Haved Moved02004HD
An animation film in which the outline of the image of a stone garden was traced on computer. As the result while the camera-crews moved in...
![Ma: The Stones Haved Moved]()
- 1966

Why Don't You Sneeze
Why Don't You Sneeze01966HD
labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA.
![Why Don't You Sneeze]()
- 1972

Models: B-1: Counting, 100 Or X's
Models: B-1: Counting, 100 Or X's01972HD
Models, Reel 2 (B-1~4) consists of four works and is dealt with, different from Reel 1, symbol/words, and the logic in film. First "Counting 1 to 100...
![Models: B-1: Counting, 100 Or X's]()
- 1991

Concept Tapes 1
Concept Tapes 101991HD
![Concept Tapes 1]()
- 1978

Four Shadows
Four Shadows71978HD
Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image...
![Four Shadows]()
- 1987

I Love You
I Love You01987HD
“Double Portrait” and “I Love You” are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In...
![I Love You]()













