Malcolm Le Grice Movies

A simple event becomes rhythmically complex through changes of speed and multiple superimposition. The title refers to the inevitable inclusion of...

The first of these is the simple domestic task of washing dishes, and the second is the aesthetic task of filming the first task. I, the filmmaker,...

A double projection of images of lapping water and the Battersea Power Station all transformed by negative positive superimposition creating a moving...

Directed by Malcolm Le Grice. "It nears the end of the political paranoid works using found military documentary images. It explores a complex form...

A nostalgic exploration, comprising fragments of reworked 9.5mm home movie footage. The deterioration of the original film, like memories,...

This film was made by punching circular holes into fully opaque film stock and laying discs of colour film into some of the punched holes. Only the...

First titled Jazz Punk, this work is based on a series of drawings I made over a number of years of heads inspired in part by punk styles. These were...

Double projection. No images, only colour, first changing slowly in spectrum order, yellow, or red, purple, blue, green, yellow.. and in other...

Digital Still Life was originally made for projection directly from an Atari computer. The same computer programme defines the image sequence, the...

From the earliest point when I started to make film one of the biggest influence on my way of thinking came from Franz Kafka. In particular the...

"Like all the works I have done which refer directly to another artist, After Lumière… is not directly 'about' the Lumière...

This film is the beginning of an examination of the perceptual and conceptual structures which can be dealt with using pure colour sequences in loop...

Film shadow performance. "First presented in 1971 using three 16mm projectors each with a short loop of changing colour. Projected onto the same...

"This is a two screen film where a full frame colour field slowly changes from blue to towards green over a period of about six minutes. The film has...

Colour - Water –Rain – not a water colour – bougainvillea in extreme close-up – touching the lens – swimming pool below...

A white screen marked only by a scratch running across clear celluloid activates an intense perception of projection time. A double-projection work.

Blind White Duration is a film concerned with constructing an experience from limited perceptions. The viewer is introduced to a limited range of...

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own...

Osama Bin Laden – Britain and the USA in Iraq as through television reportage – camera only inches from the screen

A digital manipulation exploiting the transcoding ‘mosaic’ of video shot on a train journey from Berlin to southern Germany with Mark...