Malcolm Le Grice Movies

The travelogue footage that appears here – the landscape rushing by, fragments of cityscapes, figures in cafes, forests, and beaches – is...

Shot with two 8mm cameras then projected side by side accompanied by an audio tape of "prepared piano".

‘Critical Moment One’ was an un-planned recording of a one-year old boy exploring shells and sand on a beach. Though the boy was my own...

Rocky, granite outcrops, a derelict quarry-worker and Dartmoor prison.

Abstract art film made for gallery exhibition.

Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title Osnabruk at the Osnabruk festival of 1987 and...

A one-off performance, never repeated but led to Horror Film 1.

A re-worked version of Your Lips 1 with multiple colour superimpositions. Originally shown with a soundtrack from computer artist Alan Sutcliffe but...

In October 2009 I did a show in Prague. I returned to the Kafka house of my ‘Benefit of Mr K’ but found the whole street and Castle area...

Every cheap visual effect in the editing package and a sound track made with free software from a corn-flakes packet.

Dark Trees starts with a view from a window in silhouette through which one sees a garden, tall trees, rooftops and the sea. This scene orientates...

A video work based on video8 and hi8 material shot over six years. Chronos is the Titian – the time god who rules the universe – the flux...

An impromptu portrait of Jonas Mekas shot at the Serpentine Gallery, London on the occasion of a celebration of his 90th birthday. All made in a...

A double projection of images of lapping water and the Battersea Power Station all transformed by negative positive superimposition creating a moving...

Digital Still Life was originally made for projection directly from an Atari computer. The same computer programme defines the image sequence, the...

Directed by Malcolm Le Grice. "It nears the end of the political paranoid works using found military documentary images. It explores a complex form...

The first of these is the simple domestic task of washing dishes, and the second is the aesthetic task of filming the first task. I, the filmmaker,...

As the title indicates this is a deliberately academic work, conceived in much the same way that a composer might make a 'study'. It is not about a...

"Like all the works I have done which refer directly to another artist, After Lumière… is not directly 'about' the Lumière...

This film is the beginning of an examination of the perceptual and conceptual structures which can be dealt with using pure colour sequences in loop...