Heinz Emigholz Movies

A dash of nostalgia, then a shrug and self-irony: The portraits of Berlin subway stations in Berlin [Underground] begin in Schöneberg’s...

Lauded artist-filmmaker Heinz Emigholz (Schindler's Houses) offers an exquisite excursus on the work of pioneering French architect Auguste Perret,...

A meditation on ruins and remains linked strongly to the US chapters of Photography and Beyond. A rumination on a nation and dream in tatters. A...

Studies on 35mm b/w film from 1988 to 1997.

In this creative documentary, filmmaker Heinz Emigholz presents a series of filmed photographs of the work of the exceptionally inventive American...

Arrowplane is the multiplication of a one-directional, horizontal 180-degree-panning shot with itself, applied to three landscapes – mound,...

DEMON, subtitled „The Translation of Stéphane Mallarmé´s THE DEMON OF ANALOGY“, includes the Mallarmé text,...

Studies on 35 mm color film from 1988 to 1997.

A 1908 essay by Adolf Loos is here read by the incomparable Carola Regnier and set to virtual photographs of 18th-century marble inlays at St....

Documentary on the city of Berlin and a personal essay on alienation and being an alien in that city. Cyn­thia Beatt raises questions and...

Sixty-nine of Heinz Emigholz's illustrated notebooks from 1983 to 1996, three sketch books from the 80s and 90s, and cinematic studies of his...

Short film by Heinz Emigholz shot in 1976; b/w, sound, no dialogue

Kreidler and Heinz Emigholz complete their joint music video series with WINTER, pulling material from Emigholz's SCHENEC-TADY III.

Forty-two of Heinz Emigholz's illustratred notebooks from 1974 to 1983, a notebook of Heinrich Emigholz dated 1941, a sketchbook from the 70s,...

The film shows thirty-eight of Heinz Emigholz's notebooks and sketchbooks from 1996 to 2004: cinematic studies of marble inlays on the memorial slabs...

Short experimental film from Heinz Emigholz, shot in 1976; sound, no dialogue. Damn fine cup of coffee.

The film explores two projects by Austrian artist and visionary Frederick Kiesler (1890–1965): the model for ENDLESS HOUSE (1959) that is...

The third autobiography in the series deals with modern architecture. For the grand finale, he covers a broad historical spectrum: Parabeton tells of...

A German woman travels to San Francisco to find her mother, but winds up distracted by the sexually flamboyant culture of the city.

Belgium, 9th october 1979. A cook drills a hole in the door to the "camera obscura" (lat. dark room) of his boss, a persian-american carpet dealer,...