Józef Robakowski Movies

A resulted from Robakowski's re-editing the video Łódź Kaliska (1986) which he had shot together with Witold Krymarys. It was...

From 'The Workshop of the Film Form'.

Experimental short film by Józef Robakowski & Ryszard Meissner.

Robakowski directs the camera to zoom back and forth.

The camera records the trajectory and dynamics of Robakowski's movement: he walks, turns and spins with his head up in the woods.

One of the three epitaphs that Robakowski created between 1966 and 1994, in an installation entitled Mr Deer (Self-Epitaph). The static shot from a...

Video: Józef Robakowski, music: Laibach Werkstatt, production: Exchange Gallery.

White circles appear and disappear on a black surface.

From the heaps of rusted scrap metal, a metal, fully functional figure shapes up, trying to get out of there to reach the horizon. He is aiming high....

ince the 1970s, Robakowski has been experimenting with the category of the author, transferring the authorship of his works onto the film camera. ...

This film belongs to a group of works that constitute manifestations of Robakowski’s engaged attitude towards social reality. Here, his...

In Impulsators, Robakowski rejects the narrative film form and the representational function in the spirit of his radical manifestations against the...

A film with Robakowski's characteristic single-shot structure, filmed from the perspective of a character who struggles to walk along a forest path,...

A short showing Robakowski peeling and eating an apple, which itself produces the sound.

The ritual transmission of a military parade from Moscow’s Red Square: On every anniversary of the October Revolution, this was loyally...

A classical organ composition by Johann Sebastian Bach “stretches” a red strip of film; An exploration of musical memory.

The equation of organically generated soundtrack with the video image.

In 1978, Robakowski moved into a new flat in a newly-built high rise in the center of Łódź. That’s when he began filming the...

The expression of the fascination of a problem of the ANGLES existance as of its kind intuitive geometry. The imaginary "MODEL" became the main...

The film is dedicated to the memory of American surrealist Paul Sharits. Sharits sent Robakowski a film score with a proposal to use it in a film...