Jeff Keen Movies

A deliberately non-synchronous film, shot in 8mm with the sound on tape. Piero Heliczer reads his poem "The Autumn Feast," and the visuals interact...

In Cineblatz, the viewer is subjected to a high-impact barrage of evolving images, at once comic and terrifying. Glossy magazines are cut up and...

Experimental short directed by Jeff Keen.

From spinning paper guns to pulsing television screens, from zooms, crosscutting and painted film surfaces to burning paper, Jeff Keen uses all the...

Experimental animation created using a video pen.

The Pink Auto, screened using two projectors, is one of the very first examples of expanded cinema. Jeff Keen walks as a zombie and carry his dead...

Experimental short featuring motorbikes and animation. This is the second version of Jeff Keen's first film; that film became too worn.

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

Rayday Film was shown projected in several 100-foot length parts from multiple projectors. The friends and family who featured in costume and...

This early quick-fire cut-up animation melds machine gunfire with scratched film. The soundtrack was made by Keen in 2007 with a wasp synthesizer and...

Breakout is an unfinished film and, unusually for Keen, contains a loose narrative. It presents the story of a young man hounded by a large pink...

Various different holiday locations ar joined together through the pleasures of ice cream in The Mutt & Jeff Icecream Sundae, while in Mothman the...

Jeff Keen had a chance encounter with a collection of old 78 speed records at a Brighton flea market and used it as an opportunity to create a...

Jeff Keen processes his cinematic past in this filmic attack on his back catalogue.

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

Produced by Jeff Keen for looping in an exhibition context.

This version of Artwar builds from performances with paper masks and implements and various sequences of gunfire.

Named after the horror film White Zombie and the rom-com Red Dust (both 1932), White Dust follows the friends and family of Keen while they explore...

Made to represent an entire cinema programme, Meatdaze consists of six sections that include cartoons, supporting and main features.