Saul Levine Movies

A confrontational rant addressed to the judges of the films entered in a Super 8 competition at No Exit. Both Mark and I were surprised when not only...

Founded under water ... all at sea ... made at land.

John Broderick recounts a bad LSD trip.

ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at...

A film made by Pelle Lowe and myself, Ready-Made is a single work in itself, and also exists as part of a series of works that Pelle and I made...

"Afternoon idyll with Nancy Frumkin."

The first black and white LIGHT LICK.

Director of the Film-makers Coop, M.M. Serra, recollects her morning on September 11, 2001. The Coop is a few blocks from the New York Worlds Trade...

Karine Albano recounts her experience with an antidepressant called Selexa.

A film made by Marjorie Keller that document a successful struggle against welfare cuts by welfare clients, workers, and their allies.

A conversation with Pelle Lowe.

Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed. This film is all that was left –...

Wild flowers, morning glories, an urban jungle an eden for a petite Tyger.

This film was shot the same weekend as Z (Zee Not Zed), when Stan Brakhage was visiting University of Rhode Island, where Marjorie Keller was...

RAPS AND CHANTS is also without the typical cataract of cuts. The first part is a man's monologue about a grueling LSD adventure (even the image is a...

STAR FILM stars a hand-made emulsion.

One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I...

Adrianne Jorge, filmmaker, projectionist and chief of TVEYE VIDEO and I drive around Boston in 2008 talking about the changes in Boston and her work...

A small apocalypse prophecy on the threshold of disaster world/home.